What do you do when your main character is ridiculously prideful, a workaholic, and cheats on his wife? How do you get audiences to root for him? Is that even possible?
We’re talking about Hamilton, if you couldn’t tell. He’s
a bit of quite the jerk, but audiences still cheer for him. Why? Well, there’s several reasons, but a big one is that they hate the antagonist even more.
How do you know that people will hate your antagonist enough to make up for your antihero? There’s a foolproof way to guarantee hatred in an audience. People loathe hypocrites. And Thomas Jefferson is one giant hypocrite.
There’s tons of buzz about diversity in today’s books. Whether you think this is needed or not, you would probably agree that characters should be different from each other. After all, no one wants a cast that’s exactly alike.
The Six of Crows duology by Leigh Bardugo is pretty diverse, in the popular sense of the word (including disabilities!), but something that really stood out to me was the diversity in culture.
So I finally conquered my (rational) fear of e-books and my (irrational) aversion to self-published works. With this new world of possibilities open, I started with a short story called Skies of Dripping Gold by Hannah Heath (who happens to be an awesome blogger).
There’s a lot packed into this little story- most of it good. One thing that really stuck out to me was its allegorical aspects. Before getting into that, though, I’ll give my non-spoiler thoughts.
It’s no secret that it’s hard to end a story. Just look at the number of sequels that are released. Why complete a story when you don’t want to let go of the characters? When you still have more ideas for it? …When you could keep making money off it? Maintaining quality, that’s why.
Logan is the first real ‘end’ in the superhero franchises, excluding standalone trilogies like The Dark Knight and Spiderman. There’s a lot to learn from its willingness to let go of such a popular storyline.